We just received our copy of Harry Benson: Photographs and it’s getting Rave Reviews.
“Brilliantly designed by Randall J. Lane from Williamsburg-based GHAVA, with additional sequencing by Gigi and Harry, I think this is easily among the best books we have done, and if we were to stop tomorrow, there could be no finer final note.”- Daniel Power, CEO and founder of powerHouse Books.
“You can never go wrong with a sumptuous photo album from a legendary lensman. Spanning 60 years of starlets and presidents, Harry Benson: Photographs traces the buoyant trajectory of the American spotlight.” –Vogue
“As powerHouse Books’ new monograph Harry Benson: Photographs demonstrates, he relentlessly and patiently wormed his way into hotel and locker rooms long before high-powered publicity firms began restricting access.” –New York Magazine
See it on our site here
Art direction & design of the 2009 promotional book for the largest hand-paint advertising company in the United States.
Colossal Media is an innovative Out Of Home company that specializes in high-impact painted wallscapes. GHAVA worked closely with cofounders Paul Lindahl and Adrian Moeller to deliver an engaging leave-behind sales tool that offers deeper insight into their business in a personalized manner.
The book contains behind the scenes imagery, overviews of services, as well as in-depth case studies for some of their more noteworthy projects including Banksy’s large scale murals in NYC and The New York Public Art Fund commissioned 19,744 square foot installation of artist Sarah Morris’s work on the ceiling of the Lever House, a NYC landmark building.
Photography by Morgan Howland, Stephen Schuster, Ray Mock, and Colossal Media.
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Wow, we get to hang with legendary photographer Harry Benson! We’re in the last phase of designing his new book, a large format compendium which will be published by powerHouse Books.
Please join us to celebrate our latest publication:
Cameron Martin
analogue
Wednesday, April 1st
Eleven Rivington
11 Rivington St. between Chrystie and Bowery, NYC
MTA Subway stations: F and V to 2nd Ave or 6 to Spring St.
6pm-8pm
Signed books will be available for purchase
GHava{Press}
Distributed by D.A.P.
We are now offering a free PDF download of our very first self-published book, The Elizabeth Kent Story. Compiled and designed between 1999 and 2002 the book is a collection of pages, both individual and collaborative, from the members of Graphic Havoc. The Elizabeth Kent Story was originally offered as a limited and numbered edition of 1000 and has been sold out for years.
Download the file and enjoy a glimpse into our early publishing endeavors.
The Elizabeth Kent Story
[...] J. Penry, one of our favorite illustrators, is now offering his services as a pet portraitist. Now you too can own a precious artwork depicting your furry beloved rendered in Penry’s signature style, with a dash of panache and whimsy. Eventually Penry hopes to collect all these portraits in a book. Won’t that make a lovely keepsake? Contact J. Penry for more info and pricing. [...] VIA: http://www.viceland.com/int/v15n2/htdocs/pet_portraiture.php
Also check out J’s first book, Castles and Christians.
Castles and Christians by J. Penry, with forward by Jeffrey Jensen $24.006. 625 x 8.875 inches, Paperback, Gatefolded Cover 96 color pages, Limited edition run: 1,200. ISBN: 0 9716702 1 8. Grab a copy from the newly launched GHava{Press} online shop.
Review by Brian Sholis
[...]By contrast, unremitting pain characterizes the pictures in Darfur: Twenty Years of War and Genocide in Sudan, edited by Leora Kahn for the nonprofit organization Proof: Media for Social Justice. The volume presents the work of eight acclaimed photojournalists and the beseeching testimony of aid agency workers, noted writers, and a handful of celebrities; proceeds from its sales will be donated to Amnesty International and the Genocide Intervention Network. If the chilly formalism of the North Korea pictures testifies to the Dear Leader’s control over his population and his country’s visitors, the presence of so many emaciated, fly-ridden bodies mere inches from the camera lenses indicates that whatever order once held in this arid African plateau has now irredeemably collapsed. Yet the photographic depiction of even the most lawless, unprecedented situation adheres to decades-old visual convention: a regular alternation of somber black-and-white and vividly colored pictures; a preponderance of children and the elderly; stark outlines of malnourished, brittle bodies graphically contrasted with sand and dirt; and long lines of displaced people stretching into the distance.[...] via pring mag.
Brian Sholis is an editor at Artforum and is the coeditor of The Uncertain States of America Reader (Sternberg Press, 2006).
